How it works
Imaginal Pattern Studies is a method that uses designed writing exercises to surface unconscious material and teaches you to read it yourself.
Each exercise gives you a specific scenario, a set of conditions, and a strict time constraint. The scenario is designed to get past your usual defenses so that something less rehearsed has to respond. What you write is not creative writing. It is data — a record of what you actually do when you can’t perform your way through it.
The exercises are half the method. The other half is a set of observational lenses that teach you to read your own output for recurring patterns. You'll notice the same impulses, avoidances, and additions showing up across multiple exercises until they become impossible to miss.
What this is not
There is no existing method that does exactly this. The closest reference points are projective techniques in psychology — like the TAT or Rorschach — but those require a clinician or analyst to interpret the results. Imaginal Pattern Studies is designed so that you learn to see your own patterns, without depending on someone else to read them for you.
It draws from the same well as Jung’s active imagination, but where Jung described a principle without engineering a usable practice, this method provides the structure — the designed provocations, the time constraints, and the observation tools — that make self-directed pattern recognition possible.
This is not therapy. This is not journaling. This is not a creative writing workshop.
The quality of your prose is irrelevant. What matters is that you commit to the process, performing the exercises and then reviewing what you do with each scenario.
There are Two Ways In..
An Introduction 2-hour workshop
If you want to see what this work actually does before committing to a cohort, start here.
In two hours, you complete two short writing exercises and learn the foundational observational lenses — a set of tools for reading what your writing reveals about how you move under pressure. You apply the lenses to your own output during the session. Most people are surprised by what they can see in their own material once they know where to look.
The workshop is not a sample of the cohort. It is a self-contained introduction to the method.
You leave with usable tools and a clear sense of whether the deeper work is for you.
Workshop sessions are announced periodically. Limited to 15 participants.
The full method: A virtual 6-week cohort
The cohort is where the real patterns become visible. Five exercises over six weeks, each building on the previous one. The observational lenses are introduced in week four, once you have enough material for your patterns to start repeating. By weeks five and six, you are reading your own output in real time — and comparing it to your earlier exercises to see what keeps showing up regardless of the scenario.
This is a commitment. The method is cumulative. Each exercise depends on the ones before it, and the reading framework depends on having a body of material to work with. Partial participation does not produce the intended result.
You leave with your own collected outputs, the full set of observational lenses, and the ability to continue using both on your own — with any material your mind produces, including the daydreams, fantasies, and recurring scenarios you were already having before you got here.
Each cohort is built around a specific theme — a territory of inner life where patterns tend to run unexamined. Upcoming themes include idealization and the invented person, love and longing, sexuality and desire, and disenchantment. Others are in development. The exercises are designed for the territory, not repurposed from a general set. Each theme produces its own provocations, its own pressure points, and its own version of what the lenses reveal.
You can take more than one cohort. The observational lenses are the same across all themes, but the exercises are entirely different. Someone who completed the idealization cohort and then entered the longing cohort would receive five new exercises, encounter different material, and often discover that the same structural patterns appear in both, which is one of the most useful things this method can show you.
Cohorts are limited to 8–12 participants.
Current status
Imaginal Pattern Studies is a developing methodology. This is early-stage work. You are not signing up for a finished product. You are participating in the construction of something that does not yet exist elsewhere. Your outputs and your feedback will directly shape how this develops.